Saturday, December 3, 2011

Performer Spotlight: Kimi Schillinger

I am very excited to introduce my performer spotlight articles. These articles tell the stories of people who have and continue to inspire me. I think we can learn a lot from other successful color guard peeps. I certainly find their words inspiring. I hope they help you, too!

For my very first performer spotlight, I will be telling you about Kimi Shillinger. She is a 23 year old from Saint Paul, Minnesota who has more experience and talent in her little finger than I do in my whole body. This year will be her 8th year in color guard.


She started in high school and marched two seasons there. Since high school she has marched 5 full drum corps seasons, 2 half drum corps seasons (filling holes), and 5 winter guard seasons. She has also been instructing at Hastings High School in Hastings, MN for 5 years.

I asked Kimi what got her started in color guard.

Kimi: In high school, I had a couple friends who were very academically driven (as I was) but we were looking for something else to do that would be a challenge and a good time.  A few more mutual friends were involved with Marching Band and encouraged us to join.

Q: When did you start color guard, and where did you go from there?

Kimi:I didn't start doing colorguard until I was a junior at Hastings High School.  Most of my high school career was focused on my grades and taking the most difficult classes that I could.  As I got older, I realized that this wasn't enough for me, and I needed an outlet to express my personality and meet new people.  I excelled quickly my first year in color guard, so much so, that I was put on the rifle line my first year.  Because of this, a lot of the veteran members didn't care for me, to the point that I pondered joining the drum line the next year.  The next year, all of those "bully" girls were graduated, so that stress was gone.  I went on to be weapon section leader my senior year.

My first year in winterguard was in a little independent group called "Mosaic".  There were 6 of us and we were all rookies to winter guard.  This first season of winter guard is what really showed me how fun this activity could be and the great friendships you could make.  A friend that I had met through winter guard told me about Chops, Inc. and asked me to come to a rehearsal.  Long story short, I did, had a blast and came back for the next 3 seasons to march winterguard there.

I had other friends who were involved in MN Brass, who wanted me to check out their summer program.  Again, I had tons of fun, loved the people there and proceeded to march there the next 5 years.

During this time in senior corps, I really felt like this color guard thing was becoming more than a hobby to me.  I wasn't able to imagine my life without it and wanted to do more to be the best I could be.  This lead me to junior corps.

My first year auditioning for the Phantom Regiment was shaky to say the least.  I mostly went to auditions for a learning experience and to see if this corps was the right fit for me.  After accepting a position there, I soon realized what a huge commitment I was making.  To march my first season there, I quit both my jobs, put school on hold and left my home.  Giving up all that was normal to me was the hardest part.  As a 19 year old, it's a lot of stuff to deal with on your own, but I wanted to do it, so I made it work.  Looking back, my first year in junior corps was all I thought it would be - I worked harder than I ever have, my mind was blown on a daily basis, I ran a lot and hated every second I was there.  They don't play around at the Phantom Regiment, you do whatever it takes to be the best, no matter how hard it is (which takes some major getting used to).  The worst part is that as soon as I got home, I wished I was back there.  Then I realized I had to do it again.


I went back in 2009 and didn't make a spot.  This was the hardest thing for me to face - knowing that I couldn't be with my team.  I thought about going to another corps, but Phantom Regiment was the only place I wanted to be.  In the end, it turned out to be a good thing for me.  I marched MN Brass that summer, met my boyfriend, got my finances in order, so by the time 2010 rolled around, I was ready to try again.  Going into auditions in 2010 was very nerve racking for me, but after seeing some of my best friends again, I figured that this was my last chance (since it was my age out) and I was going to show them how bad I wanted to be there. Thankfully it worked, and I went on to have one of the greatest summers.


Coming home from my age out was awesome and terrible at the same time.  Being on tour is a lifestyle that is completely inconsistent and I could never get used to it, now what I was excited for was to start my "real life".  I had been teaching my old high school program since I graduated and it was going well, but with the quality of teaching that I received while in the Phantom Regiment, I knew that I could make those kids great.  I've now been teaching there for 5 years and every year they get better as students and I get better as their instructor.

Q: What is your favorite piece of equipment and why?

Kimi: I would have to say flag.  Weapons are cool and all, but nothing gets me like a huge, clean flag line.


Q: What is your biggest accomplishment in Color Guard? 

Kimi: I guess just sticking with it.  If I had chosen to quit early on, I would definitely not be the person I am today.  I'm very thankful for everything that this activity has taught me and all the experiences I wouldn't have had without it.

Q: What are one or two things you do in your training that are keys to your success?

Kimi: Being taught by many different people is important to me.  Each new instructor will teach you something, weather it's about technique, movement or even how to instruct.  I also think that basics are hugely important.  What you do in your basics program sets you up for what you will do in your performance.

Q: How do you set your goals?

Kimi: Having one big goal at a time, then making smaller checkpoints to achieve that goal.  For example, I want to throw a 5/turnaround/catching at port.  Make sure you can throw a good 5 - placement, rotation, height, catching, then practice doing the 5 with a turnaround, then add the port catch.  It seems like a simple concept, but many people only see the big goal and completely look over the steps it takes to get there.


Q: What is your biggest challenge, and how do you manage this challenge?

Kimi: Since I'm not currently performing, most of my challenges right now involve teaching.  I have a hard time teaching movement technique, especially more modern styles.  To help me, I've been researching a lot of different styles of dance that I'm interested in, and using the concepts that I like to make a modern style that I'm comfortable teaching.  Kind of like inventing something new out of something old, it's pretty cool.

Q: What is your diet like?

Kimi: ha ha ha...not as great as it could be :)  I've been vegetarian for 6 years, so I eat a lot of veggies, which I hear is good.  But I also have a huge weakness for dairy - the more cheese the better.  I do my best to make smart choices, but feel satisfied at the same time.

Q: What things do you believe differentiate you from your contemporaries who have tailed off in their participation and abilities?

Kimi: Willingness to work.  It's very easy to lose sight of why you do this when things get difficult.  Being willing to work hard is essential, especially for those times when you don't even know what your working for. 

Q: Do you have any recommended resources to share?

Kimi: The WGI fan network has a lot of educational tools that come in handy, especially when it comes to staging and effect.  Colorguard is a big community - if there is ever a need, you're bound to know somebody who knows somebody who can help.  I think we all can help each other :)

Q: Have you experienced a break through in Color Guard at any point? If so, what led to it? 

Kimi: There was a point about midway through my 1st season of junior corps where I really started to catch on and it stemmed from me working on my show at every single opportunity I had.  Its that time where you've rehearsed it well so many times that you can't remember how to mess it up.

Q: What was the best advice you were ever given?

Kimi: In guard, spinning away from my body.  Especially outdoors, it really helps you not get tangled in a sweaty flag silk  :)  In life, when you feel frazzled about something, just take a second and put it into perspective.  Deep breaths are good!

Q: Do you have a saying or motto that you live your life by?

Kimi: How you do anything is how you do everything.  Why pick and choose when you want to be your best?  Do everything 100% and you'll never have regrets.

Q: Where do you draw your inspiration from?

Kimi: I have a really great life, so everything that's around me.  A little imagination never hurts either.

Q: Anything else you'd like to share?

Kimi: I have never talked this much about myself and colorguard - wow!


Well Kimi, thank you for talking so much. I truly believe that we can all learn from each other, and hearing the perspective of someone who has been there and done that is an inspiration for the rest of us to achieve our goals. Hearing someone as talented as Kimi talk about her struggles and how she overcame them reminds us that NO ONE gets there without a lot of hard work, everyone experiences failures at some point, and it's so important to learn from those and never give up. After all look where it got Kimi!

I think I need to go practice :)

Until next time!

-Mrs. T

Wednesday, November 2, 2011

Mrs. T's Challenge

I proposed a challenge during my Drum Corps' off season to do drum corps twice a week until the season resumes. I don't know who's doing it and who's not, and keeping tabs on everyone is not the point. It's more of a challenge for each member individually to stay up on their game. No one to answer to except themselves. The challenge can be for anything that will improve performance, including working out to build endurance or core strength, doing basics with equipment, dancing, performing, for the musicians practicing their instrument, anything. Just to keep your own mind on drum corps while mentally and physically preparing for the next season.

I have honestly found this challenging. I'm not much for working out, but I try to get it in at least once a week. Spinning riffle is something I can work on to an extent throughout the winter because I'm a beginner with riffle and I can do some basics inside. Another thing that I've been doing is working on my core strength. My stomach doesn't look a lot different than it did in August, but I can always feel it the next day. Not always seeing results can be a big part of the frustration, along with not having an instructor there to tell me if I'm forming a bad habit which makes me second guess myself.

So how do we stay motivated? In times like these I have to remind myself that the only thing that will set me back is NOT doing anything. So, I might not have a full six pack, but that doesn't mean my stomach muscles aren't stronger. So I might not be able to run 3 miles without stopping, but doing 40 minutes of cardio in my living room will build my endurance for a 12 minute show. I'm not going to win the battle in the off season but I can increase my chances for success in the season by starting now. No efforts are wasted, only the lack of effort is.

Feel free to introduce Mrs. T's challenge to your color guard during the off season. Most likely not every one will do it, but if even one person does it or multiple people attempt it, you could really start the season off strong.

Sunday, October 23, 2011

Rocky Horror Rocked my World

Like many color guard enthusiasts, I also love the theater and pretty much all performing arts. Surprise, surprise, right?

Creative Costuming and Choreography of the Rocky Horror Picture Show:
Last weekend I attended a stage performance of The Rocky Horror Picture Show with a girl friend of mine. The show blew my mind! From costuming to choreography and singing to acting, this show really had it all. to anyone in the Minnesota area I highly recommend you check it out if you can, it runs through Halloween at The Lab Theater in Minneapolis.

The first crowd pleaser of the evening is that Don Shelby from Minnesota's WCCO News station plays the narrator. He cracks a few jokes about comping Michelle Bachman tickets and responds to all comments and calls from the audience.

Magenta and Riff Raff:
As the show begins and the actors start their first song and dance number, they also re-arrange some of the audience. Some of the audience is seated in short rows right on the stage. As the play starts actors push these rows of people across the stage. At this point everyone is excited and ready to go. Not to mention the amazing voice and acting ability of Molly Callinan, a Chicago native with lungs that could knock over the city. In the role of Magenta, her pitch and tone were perfect and her talent blew me away. I don't have a good photo of her from the beginning of the play, but pictured here is Magenta and Riff Raff at the end of the play in their space costumes.

Riff Raff was played by Randy Schmeling, a graduate of my Alma Mater, Gustavus Adolphus College. He mastered his character's creepiness with a very distinctive walk and sort of under-the-breath type of chuckle. To be able to keep a character like that and stay in character, even through the technically challenging choreography, was extremely impressive. His costuming added to the creepiness factor, with tattered clothes and ragged hair. And THANK YOU for not giving him the same nasty haircut as Riff Raff has in the movie!

Also deserving of a note for an outstanding voice is Jamecia Bennett, who played the role of Eddie and of Dr. Scott. For a female to step into a solo most notably performed by Meat Loaf, her incredible range and R&B style was perfect for this cast's rendition and had me utterly in awe. No wonder she has been inducted into the Minnesota Music Hall of Fame. I realized toward the end of the show that I was sitting right next to one of her relatives. I hope he passed along all the comments he must have overheard me say about her outstanding performance.

Frank-N-Furter Costuming:
Frank-N-Furter was not exactly what I expected, in a good way. He was played by Andre Shoals who is a former superstar of the New York drag scene. His make-up and costuming were definitely perfect for his character, adding changes here and there for dramatic effect, such as a super long robe or a huge feather neck piece. What really shined in Frank-N-Furter was his outstanding acting and dance ability. I don't know how he danced in those 4 inch sparkly heals but he did it and did it well!

Columbia with the Cast:
By far my favorite costuming decision was that of Columbia. Columbia was played by Kat Perkins, a tattooed actress and frontwoman for Scarlet Haze. Her costume was very punk rock meets Transylvania, a very unique and fitting choice in my opinion. Kat had the whole package - she could sing, she could dance, she could DEFINITELY act, and she had the crowd loving her.









Janet and Brad Dancing with the Cast:
Reid Harmsen and Erin Capello played very well off of each other in the roles of Brad and Janet. The transitions from sainthood to Transylvania were very convincing. Janet's voice and solo performances were extremely professional, keeping her pitch, tone and volume despite the advanced blocking and choreography of the show. Her dance moves were fearless, she even did the caterpillar! And Brad's corset costume with the nipple tassles that he wore toward the end of the show had me rolling on the floor laughing! Unfortunately my nipple tassels picture turned out blurry, so you get this one instead:

During intermission Mrs. Smith hosted a costume contest with the patrons. I'm honored to say I was a finalist, but I didn't win the grand prize. I hope to get some photos of my costume to post for all of you sometime in the near future.

Don Shelby in High Heals:
And one last surprise from Don Shelby before we wrapped up the night and did the Time Warp one last time - He turns around to expose that he's wearing butt-less pants to the crowd. When he comes out for the curtain call, his pants are rolled up to the knees and he's wearing fishnet stockings with high healed shoes. It was one of the greatest things I've ever seen! He was kind enough to let us take a picture with him after the performance. I hope to get that photo from my friend soon so I can post it here.







With various costume changes - each being more impressive and surprising than the last, awesome choreography, and amazing talents such as these, this show is non-stop fun and a real theater treat. Great Job to the Lab theater and everyone who helped in the creation of this masterpiece.

The Cast Last Curtain Call: